
With every instrument that I make, my purpose is to produce something extra special for my clients. I want them to feel that their instruments are just as individual as they are-instruments that will naturally meet their requirements but also match and perhaps exceed their initial expectations.
Collaboration is essential. Whenever possible I aim to establish a rapport with my clients to fully understand their style of playing and their vision of what they really want me to make.
Choosing the most suitable model is always fascinating and rather fun as there are so many to select.
One reason why violin making is such a rewarding profession is that I can observe the musicians’ delight when they see and play their instruments for the first time- particularly after all the hours put into crafting an instrument that will outlive both maker and musician!
I strive for perfection and never compromise any aspect of the making, from selecting the wood through to the ingredients of the varnish and the final set up.
My terms of business are quite simple: a small deposit will secure any order. There is no obligation to buy the final instrument, provided I make a replacement (though, as yet, this has never been the case).
As each new instrument takes time to “settle in”, I offer a years' tone adjustment as part of the service. This can sometimes include a new sound post and bridge.
Though most of what I make is to order, I can sometimes offer violins or violas that are not spoken for. On average I have a years' waiting list.
You are welcome to contact me for any details and current prices or for any advice.
Only the very best.
My choice of wood is of utmost importance. I personally visit suppliers and select only the finest well-seasoned European timber available.
I insist on using fine handmade fittings for all my instruments and I can offer the client a choice of different woods and mountings. Below are some examples:


